Monthly Archives: September 2014

The Power of a True Story


Last night a group of actors gathered in the classroom of screenwriter Henry Griffin at the University of New Orleans to read David Dubos’s script for Butterfly in the Typewriter. Sadly, I could not be there, but my conversations this morning with those that were, confirm once again: there is an uncanny energy surrounding this story.

Back in 2011 I was popping champagne in celebration of a book deal. I never imagined I would be talking about a movie deal. But last spring New Orleans filmmaker David Dubos stumbled across a copy of Butterfly randomly left on a countertop at The Louisiana Music Factory.  “I thought the title was unusual,” he recalls “like a Salvador Dali painting.” He was thrilled to discover it was about John Kennedy Toole, an author whose work he loved. “I’m taking this book” he told the owner and friend. A few days later he sent me an email. He wanted to adapt it into a film.

And so began a process of sharing ideas and sources. I scoured my research materials and connected him with people that new Toole. To be honest, I was apprehensive about the changes an adaptation may bring to the story. But a few months later David presented a brilliant script, hilarious and tragic, and true to the spirit of its subject.

Marti Luke, who had been a student of Toole’s at Dominican, was so excited about the adaptation she came down from Baton Rouge to hear the reading. As she entered the room it was clear the actors, all professional, knew each other. So she took her place quietly in the back of the room to listen. But David asked her to come to the front. He wanted her to read the part of Thelma Toole, one of three leading parts.  And so she donned the role of a woman she had met many years ago, a woman whose son she had never stopped loving.

Over the next two hours the room erupted in laughter and quieted to near silence as they followed Toole’s descent into madness. One of the more devastating moments comes when Toole’s student Martha learns of his suicide. She stares up at the Doomsday Clock he had drawn on the classroom board, wishing she could turn back time.

After the reading the actors talked about the colorful characters and the power of the dialogue. While most of them had heard of John Kennedy Toole, they had no idea how funny and heart-wrenching his life story was. And as for the script, “wonderful” “amazing” “genius” they said. But they still wondered about Marti Luke, especially since David selected her to read a lead role. David invited Marti to tell everyone about herself. “Well, I am Martha,” she explained—the same student of Toole’s who watched him draw that Doomsday Clock. The actors gasped. This was no mere performance for her, but rather a part of her life. They asked about her experience with Toole and his mother.

After the actors had left David spoke with Henry Griffin as they put the classroom back in order. Henry praised the script and then mentioned, “You know, Toole used to date my mother, Emilie Dietrich Griffin.” In fact, his mother visited Toole in Puerto Rico right before he started working on his novel. In his letters to her, Toole confessed his struggle to find his voice. It was a struggle that touched the lives of everyone in that room last night.

I have often said, this story has a way of weaving through people’s lives. And it amazes me how it reflects one of the key elements in Toole’s novel. Despite our differences, despite our failures and victories, we are all linked in ways that often go unseen. But at the right place and at the right time—perhaps strolling down the street or browsing through a music store—if we are paying attention, we will see the threads that connect us.

Bravo to all the readers last night. As David says, Onward!


Filed under john kennedy toole

Because it is our duty

It is painfully clear that a new wave of anti-Semitism is rising once again in Germany. But in reading of the demonstrations fueled by such virulent hate, I am struck by how my visit to Germany this summer taught me about devotion to humanity in all its diversity.

On a rainy day in July I drove from Laupheim to Ichenhausen, a small village in western Bavaria where, in 1878 Carl Laemmle at twelve years old began his apprenticeship to Sam Heller, owner of a stationary business.  Laemmle stayed with the Hellers for five years. He could have continued on as an employee and perhaps a partner had he not left for America. I had few expectations for this visit. I arranged a meeting with the town archivist and thought I would see where Laemmle did his apprenticeship and learn about the town. I figured we would walk the streets and maybe look at some old pictures.


Ichenhausen. A small village in western Bavaria.

In front of the council hall I met Dr. Madel-Böhringer, a tall woman with glasses and brown hair who enjoys sharing the stories of her hometown with genealogists, researchers and the occasional tourist group. “Welcome to Ichenhausen,” she said smiling. I thanked her for taking time out of her day. Then she asked a question I would never expect to hear in a small Bavarian village. “Shall we go to the synagogue?”

I agreed, presuming we would come to an old building, abandoned or repurposed with only faint clues of it once being a place of Jewish worship. But when we turned the corner I saw a refined structure, gleaming white with ornate Hebrew script hand painted above an archway. “Is there still a Jewish community here?” I asked.

She smiled, “No, no. But on Kristallnacht they did not burn the synagogue because it was too close to Christian homes.” The Nazis had trashed the inside, breaking the stained glass windows and ripping up the Torah.

We entered a large hall with a glass chandelier.  Above us gold stars twinkled against a dark blue background. And gilded wreaths accented each corner. “Years ago the townspeople restored the building to what it looked like in the late 19th century,” she explained. It was now used as a community space. “I think you will enjoy this,” she said pointing upstairs.

Synagogue restored

Synagogue restored

I followed her to a series of rooms converted into a small museum documenting the Jews of Ichenhausen.  She explained how the town was 50% Jewish and 50% Christian in the 1860s. While maintaining their own traditions, Jews and Christians participated in civic life together. They mingled in the same recreation clubs and social organizations. Some prominent Jewish men served on the city council. She then pulled out drawers of what appeared to be scrolls of fabrics. They were wimples, the cloths baby boys wore right before circumcision.  They were embroidered and used to wrap the Torah. The community had found hundreds of them in the synagogue in a storage area untouched by the Nazis. She then showed me to the mikveh, a ritual pool they had uncovered during the restoration.  We descended a brick stairwell to a closet size room where a well supplied the small pool with water. They had carefully refurbished the wood that framed the border of the pool. Clearly, the cost of restoring the synagogue must have been immense.

Mikveh--ritual bath

Mikveh–Ritual bath

We then strolled down the street, walking together under her umbrella, to see the building where the Heller store once stood.  She pointed to where the rabbi used to live and other homes once owned by Jewish families. She took me to her office, a desk near the window of a large room filled with archive boxes. We looked through a few pictures and as the rain died down she asked, “Perhaps now we can go see the Jewish cemetery?”

We hopped in her car and drove to the outskirts of town to a strip of land overlooking a valley. She showed me the circular structure where bodies would lay before burial and then we walked through the graves. She carefully wiped the pollen off of dusty gravestones, explaining the symbols. In the middle of the cemetery we came to an uprooted tree stump, the roots twisted high into the air, and a gravestone perched on top. “There was a storm,” she explained. “It brought down trees that had stood for centuries. The cemetery does not look the same without them.”

Curious about the grave that once lay beneath the upended roots, I asked, “If the stones were uprooted then did you find…”

“Bones?” she interrupted. “We gathered them, contacted the descendants and called a rabbi in Munich to perform a reburial service.”

Recent storms uprooted trees and graves

Recent storms uprooted trees and graves

Looking over the site she smiled. “When I was a little girl this was a magical place. Of course, at that time there were no Jews left. I would come here to play. It was peaceful and mysterious.”  To her, the places she had shown me were more than historical sites. She was emotionally tied to them. She was a steward to a history that could have easily been erased.

It was noble, but something just didn’t add up to me.  What compelled her and the village to preserve this history, especially without a Jewish community to advocate for its preservation?  I presumed it was some deep-seeded sense of guilt over the atrocities of the Nazi era. But most of the townspeople were born after World War II.  And so I asked, “Doctor, this is all done with the community’s money, but no Jews live in this village. You all could have done a plaque or a small exhibit on the Jews of Ichenhausen, but why all of this? The restored synagogue, the cemetery. Why?” She turned around, surprised at my question, and said, “Because it is our duty.”

I sensed from her a longing for what was lost. The synagogue, the exhibit, the cemetery, these were relics of an Ichenhausen that had prospered in a time of tolerance and diversity.  When the Jews were forced out, deported and murdered, a part of Ichenhausen died with them. From my perspective the community had taken extraordinary steps to preserve Jewish history. For Dr. Madel-Böhringer these were basic gestures that could preserve, but never regain what was lost.  It reminded me that when we succumb to intolerance and hate, we lose a part of ourselves that we can never get back. And whether this happens in a little village or across a vast region, all of humanity is lesser for it.

Only picture I snagged of Dr. Madel-Böhringer. She explains the purpose of the structure to house the body before burial

Only picture I snagged of Dr. Madel-Böhringer. She explains the purpose of this structure to house the body before burial

Dr. Madel-Böhringer’s answer to my question still resonates with me. It is not just the duty of Germans, but rather the duty of all humans to remind our communities that we prosper when we embrace our differences. This is one of the great lessons I have learned from studying Carl Laemmle, who was shaped by his time in Ichenhausen. He was Jewish. He was German.  He was American. But above religion or nation, he was a vocal humanist at a time when humanity was entering some of its darkest days.

After parting ways with Dr. Madel-Böhringer, I headed back to Laupheim. Winding along the country road, passing farms and fields of wheat, it was difficult to imagine how something like the Holocaust could have taken place here. And then without warning the rain started again.  It came down in violent gusts, pounding my car like tiny bullets. Slowing to a crawl, I leaned toward the windshield as the rolling hills of the Bavarian countryside seemed to wash away against the glass.

One of the largest Jewish Cemetaries in Bavaria is in Ichenhausen

One of the largest Jewish Cemeteries in Bavaria is in Ichenhausen. There is no Jewish community left in the town.


Filed under john kennedy toole